The last Scottish Wildcat is about to be exterminated – because developers are chasing windfarm subsidies.
This week The Herald carried a story about the wildcat queen that lives on the hillside opposite my cottage, where I am a shepherd. She has already been ousted from the den where she reared a kitten two seasons ago, when quarry was excavated to create hard-standing for a single wind turbine. Scottish Natural Heritage did not come out of that smelling of roses, as the developers flouted recommendations for wildcat protection on a number of occasions, and the response was along the lines of ‘O dear, perhaps we should have given our advice earlier, but now we’ve left it too long and it’s too late – the wildcat won’t be around now so we’ll not do anything about it.’ There was no ‘policing’ and penalty or even warning was issued to the landowner.
This time, there are seven turbines to be erected on the adjacent slope – where we have captured the same queen on night camera. And Scottish Natural Heritage has omitted its previous advice to ‘avoid activity during the breeding season, March – August inclusive.’ However, Scottish Wildlife Trust HAS asked Perth and Kinross Council to impose this condition. But so far, there has been no response.
We are petitioning Perth and Kinross Council to include this protective condition. One breeding season for one female could be the writing on the tombstone for the species, felis sylvestris sylvestris.
Scottish Natural Heritage is playing the popularity game with the developers, and saying that wind farms won’t destroy too much habitat (though earlier I have them on record as saying they don’t know enough about HOW much habitat a wildcat does require ). They are concentrating on cross-breeding with feral cats as being the biggest threat to the species. When, however, there is evidence of an apparently ‘pure’ wild cat on our hill, shouldn’t they be doing all they can to protect her, on all fronts?
It may come to camping out in front of the diggers… Is anyone going to join me? Or at least bring me a flask of tea? I’ve never done anything like this – so please advise me or support me. Please, if you have not already done so, would you sign the petition to Perth and Kinross Council? It can be found by using the link below.
Helen Douglas (- I cannot check email regularly while I am lambing sheep in a remote area during May – but would appreciate help/advice and will reply when I do have internet access!) firstname.lastname@example.org
The following events are some of those that took place in honour of extinct and endangered species on and around Remembrance Day for Lost Species 2016. This is not an exhaustive list, and is still emerging. The events, which happened in many countries ranging from France to Tasmania, are documented in no particular order.
Sheffield saw aWake for Lost Species with Abi Nielsen, folk singer Nancy Kerr, storyteller Tim Ralphs and musician Sarah Smout.
Deptford, London:Three Sheets to the Sea. Taking the theme of islands and seas, artists Liam Geary Baulch and Jules Varndoe took participants on a multi-sensory journey from the early evolutionary life of sea organisms, to our present condition, and onwards to a future of robotic sea dwellers. This was followed by a participatory workshop/ wake with shared food. Read more and see photos of the event here.
Crystal Palace Dinosaur Park, London: Artists Daniela Othieno and Allie K Stewart held a remembrance event amongst the dinosaurs. Read about it here.
Primrose Hill, London: For Lost Species processed through the bitter cold carrying silhouettes of iconic lost species.
New Cross, London: Illustrator Gabi Gershuny and colleagues launched the new Anthropo.cine cinema night in New Cross night to coincide with Remembrance Day for Lost Species.
Gabi also created a new body of work featuring chimerical beasts and the extinction symbol – see more here.
Holkham, Norfolk: Artist and historian Camilla Schofield focused on a local extinction in the North Sea. The angel shark likes to hide at the bottom of the sea bed. The life of the angel shark in the North Sea is now gone due to trawl fishing. They were caught in trawls and thrown away, uneaten, to extinction. Camilla went to the angel sharks’ old home to remember and make promises to them.
Doncaster: In honour of Remembrance for Lost Species, Doncaster Museum held a competition to find a name for their quagga foal. In the end, she was named Charlotte.
New York: Vigil for violence awareness. Bibi Calderaro and colleagues held a four hour session on violence awareness in Union Square subway station. It was a mix between a vigil for lost species and raising awareness about violence against women and girls around the world – taking both as instances of violence and its extended ripple effects inside and outside (skins, borders, classes, categories, habitats…).
Berlin: Night of the Extinct Animals. Illustrator Jennie Ottilie Keppler and poet Mikael Vogel hosted a night of Remembrance poetry and art. Read the story and see more photos here.
Gent, Belgium: Artist Rachel Porter led a group of pre-school children in an afternoon’s reflection and simple ritual in remembrance of the thylacine.
Madagascar: Madagascar Biodiversity Partnership marked the day with this beautiful poster:
Skagway, Alaska: Kim Burnham made and released an extinction raft on December 5th. “A few gulls and a lone seal were in attendance as high tide matched the setting sun. The official day of remembrance was on Nov 30th, but the south wind was not so cooperative that day, so we just read a eulogy, threw some dried flowers to the sea and decided to wait a few days for the north wind to arrive to help give our raft a push down the canal. It meant a lot to us to be able to share in this moment of collective grief. The hardest part was deciding which species’ names to include as representatives for the rest (scientists estimate we’re now losing species at 1,000 to 10,000 times the background rate, as we head into the 6th mass extinction).” See more photos here.
Wirrawilla, Australia: Memorials for the Future Lost. Australian artists Gabrielle Stolp and Michelle Steward carried out an extended project highlighting the assault on old-growth highland rainforest in Victoria. It ended with a ceremony with the names of lost species read aloud, and poetry from John Kinsella.
Sankt Olof, Sweden: artists held a ceremony at Collective Joy Studios.
New South Wales, Australia: Byron Smith held a church service of Remembrance for Lost Species in Sydney.
Queensland, Australia: Community artist Julia Peddie held a memorial to the thylacine and the many extinct Australian species in Maleny.
Bozeman, Montana, USA: Megan Hollingsworth held a ceremony 108 Bell Rings – Joy Giving with Lost Species. Her poem Toughie,made into a short film featuring Sherrell Biggerstaff Cuneo’s Extinction Mourning Gown came from the day.
Dartmoor, Devon: A silent vigil by candlelight for Remembrance Day for Lost Species on 30 Nov with River Dart Wild Church. Participants brought and created poems, prayers, pictures and tokens to remember lost and endangered creatures. Donations were given to Devon Wildlife Trust’s ‘Homes For Bats’ Appeal.
Milton Keynes:Festive Road carnival puppetry and processional artists held a Parade of Animals featuring Harminder the giant elephant.
Oxford: Lantern-making, soup, fire, poems and ceremony at the Barracks Lane Community Garden.
UNFIX Festival, Glasgow: The Great Auk Collective made a live art performance creating the extinction symbol to the sound of lost birds.
Centre for Human Ecology, Glasgow: In an intimate sharing (or ceilidh in the traditional sense of the word) participants “shared poetry, readings, facts about extinct species and stories about wild animals who lived alongside us in our childhood memories but whose absence or rare sightings are notable in our adulthood. We spoke about encounters between humans and otherspecies, and the possibilities and limitations around becoming acquainted with different kinds of consciousness. We also discussed the possibility of erecting a Life Cairn in Glasgow in the run-up to RemembranceDayfor Lost Species 2017. Watch this space!”
Maxwell Park, Glasgow:Spirits of the Dead: the disappearing lemurs of Madagascar. Artist Becky Anson organised a family-friendly tree climb for lost lemurs.
Shields Community Garden, Glasgow: Artist Roisin Lyle-Collins ran a workshop with young people during which they decorated a tree in Remembrance for Lost Species. “Together we time travelled, exploring truths of extinction in the Anthropocene, finishing by tying the tree with rags with the names and dates of 15 diverse extinct species from all over the world.” Roisin is in the process of creating an educational resource to be shared in 2017.
Dublin: Clarion Call for Climate aka film maker and composer Sinead Finegan made this film:
Maroroisia, Fiji: Artist Tessa Miller organised Remembrance Day student visits toSigatoka sand dunes. Participants wrote affirmations on cloth turtle shells, pledging to cherish and protect this beautiful area, and all of the diverse creatures on land and sea and river that make it so special.
Suva, Fiji: Artist Anne O’Brien marked Remembrance Day in the market in Suva by sharing the story of the extinct lapitiguana with passersby and raising awareness of the threats to iguanas.
Brighton: ONCA Gallery hosted a remembrance procession for the thylacine.
Brighton: Irish musician Cathy Davey and other artists paid tribute to the thylacine at ONCA in a night dedicated to its memory.
Hobart, Tasmania: Vigil at Beaumaris Zoo. At the site of the last thylacine’s death, participants held a meditation and made a small shrine of offerings from thylacine home ground, the Southwest Wilderness. Rocks, gum leaves, flowering tea-tree, button-grass, yabby claw, deciduous beech, banksia, and water from the ‘extinct’ Lake Pedder.
River Taff, Wales: The River Taff in South Wales has seen species lost and some re-gained. It has carried effluents of iron and steel works, power stations, coke ovens, sewers. Now it once again holds sea trout, salmon, otters and eels. It is a river mending. Artist Kate Knowles went for a gratitude swim on Remembrance Day for Lost Species.
Warwick: Warwick University GLOBUS students held a day of learning, reflection and talks with music and affirmations.
Finland: Musician Christine Cooper organised a collaborative, interactive performance-ritual to remember and mourn lost species, and to take stock of the changes our world is going through.
Merritt Island, Florida: In honour of Remembrance Day for Lost Species, Nancy Mitchell visited Merritt Island, where the now-extinct dusky seaside sparrow lived, and took this photo of a mounted specimen of one in the Visitor Information Center at the Refuge.
Wood Green, London: Year 7 students at Woodside High School made shadow puppets with artist Ellie Liddell Crewe from ONCA.
Kington, Hereford: Nigel and Tamara Rayment created Bean & Gone Beastro, a pop-up restaurant for Remembrance Day. Unfortunately, none of the menu items were available.
Penzance, Cornwall: Artist Tim Ridley and friends drew and discussed lost species.
Some writings published on or in response to the day:
press my face against stones while my tears roll through the gaps between them
shout into blackness and feel the wind push my cries back into my throat
fall down and pummel the ground
my heart so full that it has cracked wide open like a burnt rock from the heart of the pyre
Last night in Brighton we held a funeral for the thylacine, extinct since 1936. The meeting point was at ONCA, where we gave people whiskers and Lost Species Day stickers when they arrived. Glitter, fur, black garb, leopard print, tails, ears: the gallery was full of people curious, open, ready for this, tangibly in need of this kind of space.
I preface the procession with a disclaimer/ celebration:
This is an experiment, there are no rules, we are inventing it all together because we need to –
Then we press pieces of paper with the names of lost species into their hands and pockets, and off we all go, carrying an effigy of Benjamin, the last thylacine. We only made a head and a tail, and they are connected by a great length of white sheet that many people hold and drape over their shoulders. We’re a motley crew: Ellie at the front in her thylacine mask made from an old teddy bear, tolling the Bell for Lost Species as she goes; Gary with his dark glasses and his tambourine like a Krishna devotee; Alex the bewhiskered numb-fingered ukulele player; people with masks with lanterns; my son Felix running around like a paparazzo with a borrowed GoPro. People smile as we pass by, or shake their heads and mutter “bloody humans” when they hear that it’s Remembrance Day for Lost Species.
Wake up, shouts Andreas as the bell tolls. It’s time to wake up!
Is this alright, I am thinking. Is this enough? I want this to be enough. I need it to be enough for the people who have come. Yet what could ever be enough?
Through the Pavilion Gardens – for a moment we nearly end up on the temporary ice rink – then down onto the ink dark beach, crunching over pebbles all the way to the foreshore with this strange snaking hodgepodge creation. It stinks of fish down here but instinctively I want that – to perceive, viscerally, the processes of life and death.
The thylacine-snake is laid out in a circle with head and tail meeting in the middle – a great wonky ouroboros – and we gather shufflingly around it. Matt steps into the centre and tells the story of the thylacine – its uniqueness, its niche, its scapegoating, persecution and extermination.
Then, people speak from the edges of the circle of the things they wish to remember tonight:
I want to remember the wolves and bears of this land shot to extinction
I want to remember the boreal forests of Canada given way to tar sands
I want to remember the great forests of Germany now all but gone
I want to remember the red gazelle, though I never knew of its existence till now
I want to remember Toughie and the lost amphibians
Down, I am sinking down, dropping so far, held by the voice of the sea and this fragile circle of vulnerability
I want to remember the lost forest people of Brazil and Panama
I want to remember Berta Caceres the murdered Honduran indigenous environmental activist
I want to remember the unborn Native American children poisoned by the persistent organic pollutants in the Great Lakes
Further, let me drop further down – I am ready for the abyss, I feel the sides rushing past me as I fly – but are others frightened? Is this too much? How much can we bear to look at?
I hold in my thoughts the protectors at Standing Rock
I hold in my thoughts the bees and the pollinators
I hold in my thoughts the protesters defending the woods of Leith Hill from oil exploration
I hold in my thoughts the web of life that is sustained by the soil and I commit to restoring the soil
I give thanks for the worms
I give thanks for the return of the beavers
I give thanks for the wasps and their great work
I give thanks to all the people who give their lives in service to the earth that they love
I could stay here forever.
And then Ellie is saying, Come on then, let’s burn it, and I am wondering, Is it too much, are people too cold, is it too difficult? And we are stumbling about, placing offerings into the mouth of the thylacine, while Andreas plays Amazing Grace on his flute. Lu-Lu in the lemur hat is lighting the paper and up goes Benjamin, a sudden exquisite blast of brilliance in the dark. Just like that.
I sit by the fire, almost touching it; my friend Flor and I tend the flames and I watch every moment. I must stay until the very end, just as I had to at my mother’s funeral when the gravediggers came with their little digger and pushed the heavy clay over her coffin. The tears come now. All I can do is cry, and hold onto strangers.
My comrade Andreas takes one of my tears and puts it into the fire. He says the earth’s song is out of tune and the tree of life is withered. We need to howl and weep, for how else can we water the withered tree or bring music back into the voice of the earth? He recites a poem by Antonio Machado, taught to us by our friend the brilliant Martin Shaw:
The wind, one brilliant day, called to my soul with an odour of jasmine.
‘In return for the odour of my jasmine, I’d like all the odour of your roses.’
‘I have no roses; all the flowers in my garden are dead.’
‘Well then, I’ll take the withered petals and the yellow leaves and the waters of the fountain.’
the wind left. And I wept. And I said to myself: ‘What have you done with the garden that was entrusted to you?’
ex·tinc·tion wit·ness is one in a growing coalition of artists, educators, museum curators, scientists and writers forwarding International Remembrance Day for Lost Species (Lost Species Day).
This year, ex·tinc·tion wit·ness joins Your Yoga in Bozeman, Montana for Joy Giving. Lost Species Day Joy Giving practice is focused on grieving discovery and the total cost of a doctrine that has long made legitimate by law the exploitation, removal, and murder of men, women, and children, all non-human organisms, and whole communities.
Lost Species Day offerings have been highlighted throughout November at the Lost Species Day blog. Jeremy Hance wove a lovely chorus of Lost Species Day voices in “Why don’t we grieve lost species?” (The Guardian, 11.19.2016.) Gatherings have begun. November 27th, folks wearing stripes climbed trees in urban Glasgow to honor disappearing lemurs. Others, not necessarily wearing stripes, joined parade for lost and nearly lost species in Milton Keynes, United Kingdom. For Joy Giving details, visit the REMEMBRANCE page and be sure to explore the breadth of Lost Species Day offerings.
Standing Rock may be the global epicentre where mass battle or mass peace will be decided. It feels important to note that the violence inflicted on human beings who stand to protect Missouri river water is not surprising given how this continent came to be occupied by white-skinned folk, who arrived running from and with our own long-inherited trauma. And how murder is a standard practice for securing prospects in today’s global market.
Much of today’s overwhelming grief is anticipatory. There is fear that what has been established in protective laws and protected areas will be lost to the final breath of a dying era that’s damaged everyone and cost so many.
Among decisions that will determine the health of water and, thus, whole communities is Scotland’s call, anticipated 2017, on whether or not to allow dangerous hydraulic fracturing – ‘the forcing open of fissures in subterranean rocks by introducing liquid at high pressure, especially to extract oil or gas’.
Then there’s “Canada’s Standing Rock” – the B.C. tar sands pipeline conflict. Hydraulic fracturing, gold and uranium mining that threaten U.S. national forests and parks. 3,700 dams proposed globally while the recommendation from scientists and economists is dam removal. And more…
If the desire is a present and future free of fear-invoking violence, we must stop fearing the present and future. The collective consciousness must be cleared of anticipatory grief. And this is done by clearing individuals of anticipatory grief.
I invite you to let your imagination go to a world without flowers. Without the child’s laughter. Go all the way there and sit awhile. Grieve that darkness, which exists today for some members of Earth’s global community. Then, be present where you are. Then, see the flower and hear the child laugh as if for the first time. Be so grateful for their existence that you fall to the ground asking only what you may do to help someone other than yourself.
The Lost Species Day Joy Giving practice is designed to move practitioners through 108 feelings associated with experience, resolving the person to joy for the very prospect of being alive and a generally peaceful mind. Many – more or less structured – practices, including breathwork, chanting, and dance, have been designed to accomplish emotional purification.
This is old information. Yet, human awareness of mass species extinction is quite fresh. And, so, the effort of Lost Species Day to create and establish rituals fitting for this fresh consciousness.
Most warn that livings will become more challenging before improvement, so please be gentle with yourself and others. Just as I complete the final edit on this post, I’m reading a tweet from Bill McKibben, “This is a graph of total global sea ice. The red line is this year. Something is very very wrong.”
Truth is, it’s morbid out there. My most recent poem Y?, is written in response to 250 puffins washed dead upon Saint Paul Island during what’s been an unseasonably warm autumn from Montana North to the Bering Sea. And dire drought yields wildfires and unbearable air consuming Southeast communities. My arms reach out for everyone.
As the mother of a six, nearly seven, year old boy, my heart would like to sink in the uncertainty. I’m clueless to the looming challenges. Then I remember the wonder and creative genius of biomimicry’s sweet blossom – natural wisdom that wants to break through each and every person just as chemically-laced water at high pressure will split rock. Just as the election has split losers, now fighting one another, in the Dream that eventually nobody wins given the associated nightmare is reality for most.
I want my son to shine in a culture that serves biomimicry to pre-schoolers. That’s 100% possible if mineral extraction stops, large dams get removed, people and lots of perennials thrive. The beauty is that all this, already begun, is catalysed by the split in this union that’s forced the light of human kindness, understanding, and reverence through the cracks.
Autumn is an ideal season for grieving and within the overarching Season, there’s an alchemical masterpiece brewing. What falls does rise. To know sorrow is to know joy and to experience the fullness of life. Please unite with others, near and far, in this fullness November 30th.
Lost Species Day ritual need not be elaborate. Sincere, if brief, words of gratitude form the most potent prayer. And, as is noted in Jeremy Hance’s post in The Guardian, grief has many faces, humour and gratitude among them.
What words can do justice to the disorientating, vertiginous experience of loss that accompanies an awareness of the unfolding of the sixth mass extinction? These words by Nick Hunt were used at a DIY ritual event held at the Dark Mountain Uncivilisation festival in 2013. Juxtaposing humour and the mundane with the epic and unknowable, they are offered here by Nick as inspiration for Lost Species events this year. Please write your own extinction liturgies and eulogies, and share them here too.
Ladies and gentlemen, men and women, friends, humans, homo sapiens, homo heidelbergensis, neanderthalensis, finders, losers, St. Lucy giant rice rats, loves, lost loves, dears, Schomburgk’s deers, darlings, Darling Downs hopping mice, American lions, Tasmanian tigers, Bermuda night herons, Bermuda triangles, objects, possessions, lost keys, Geeze, Nagumi, Etruscan, Eyak, Basque-Icelandic pigdin, passenger pigeons, words, languages, memories, laughter, laughing owls, Ilin Island cloudrunners, short-faced bears, sharp-snouted dayfrogs, welcome to the Liturgy of Loss.
We ask you now to throw our loved ones’ ashes in the Ganges, to wrap their bodies in flags and drop them in the sea, to stand around the cold church hall eating canapes, to slam our whisky glasses down on the coffin, and finally recline on the topmost tower and let the vultures carry our bones away.
And let us also check five times in the same pocket for your missing mobile phone, and the train ticket that has joined the odd socks in the cupboard under the stairwell of the night
And let us also search in vain for the word for the memory conjured by the particular smell of our mother leaving the house in a rainstorm while potato cakes almost burn in the oven while the cat sicks up the pine needles of last year’s Christmas tree.
And let us also remember our never-to-be-realised childhood dreams of employment as bears, robots, kings of volcanoes, revolutionaries, outlaws and millionaires.
And let us also remember all that we’ve lost without knowing: the sound of the wings of the passenger pigeons that no longer darken the sky whistling over the empty grassland where there is no grass any more and soon there will be no land. The phantom limbs of our orchards, hayricks and other bucolic appendages. The rusted bicycle frame with no gears, no wheels, no brakes, no bicycle, locked outside a boarded-up shop on a street you no longer walk down.
We ask you all to sing of the sadness of things you love and let them go, to laugh at longing, to celebrate the seasonal and circadian rhythms of loss and return.
Ladies and gentlemen, nonhumans, broad-faced potoroos, root-spine palms, dinogorgons, Karankawas, golems, bigfoots, pravoslaverias, you are in the Liturgy of Loss…
We will now forge a Liturgy of farewell for vanishing things. These three certified ritualologists will lead you outside to speak of the things that you love and the things that you’ve lost. We ask you to make a simple offering, a sketch or a few words to represent a personal absence for the forthcoming Immolation of the Darlings, the culmination of our ceremony.You will bring your songs and offerings back here, and the Liturgy will begin.
Ladies and gentlemen! Tarpans! Great auks! Aurochs! Lacunae! Misplaced ephemera! Pieces of the world! Fragments! Missing jigsaw puzzle pieces! Extinct hominids and the extant cousins of extinct hominids! Come! Gather! Make haste! Scurry! Eroded statues! Runes that can’t be read! Please proceed back inside, please proceed back inside, for the Liturgy of Loss is about to begin, the Liturgy is about to commence! Loss! Loss! Loss! Loss! People! Ex-people! Missing persons of the future! Small but essential lost pre-fabricated garden furniture fittings! Soviet notions of a utopian future! The Liturgy is about to begin!
After words, after songs, come only flames and silence. We ask you now to proceed to the Fire of Forgetting for the Immolation of the Darlings, to finally lose the things you’ve lost, and then to go your way in peace and lose yourselves in the world.
Image: mandala from Feral Theatre’s Remembering the Javan Tiger. Photograph by Abi Horn
For the past year I have been working on a series of pieces based on the ritual burials of animals.
This series explores the way we as humans share an ancient history of ritually honouring animals in life and death, and invites the viewer to consider how the sacred place those animals once held has now changed. In the transient nature of life and death, there are clues all around us of the importance and significance certain animals have – in the names of plants, in the folklore and mythology of global cultures.
Inspired by ancient Celtic burial rites, the composition of each piece suggests a burial ground where the spirit of each animal is ritually honoured with sacred plants, symbols and runes.
Our ancient ancestors believed in reincarnation. Although specific funeral rites varied throughout Europe and indeed the globe, one common thread is that the human remains were being prepared for another world, where they would be infused with spirit and live again. Early on in this project I visited the British Museum and saw examples of ‘grave goods’ – objects of personal and spiritual significance placed in the grave or burned, believed to travel with the soul to the next life.
Many tribes or clans were believed to be descended from animals. We know of ‘Cat People’ in Scotland, and ‘Wolf Tribes’ in Ireland. Some families were even said to have descended from animals; at least six families in Scotland and Ireland were thought to share ancestry with the seal. In our early tribal culture, most had their animal totems – Sheep and Raven people in Sutherland, Horse people of Kintyre. In Switzerland they have discovered altars to the Bear more than 70,000 years old. Ceremonial headdresses made of antlers over 10,000 years old were found in Yorkshire.
Our ancestors chose to be buried with their animals, as guides or companions. Although hunting was commonplace, every part of the animal was used – even its excretions for healing rituals. The hunt itself was considered sacred, and the Goddess was asked for permission before daring to take the life of any creature. Animals held a role in our ancestors’ society far beyond anything we recognise now.
This series specifically looks at ten animals, all native to the British Isles at some point and all with special cultural or religious significance to pagan communities. Despite the sometimes literally God-like status some of these animals once held, many are now either endangered or lost entirely from the UK. In fact, of these 10, only 2 have populations defined as ‘stable’. Certainly it is true that every single one of these creatures faces persecution in some way.
The Arctic Hare was the original Hare of Britain, later replaced by the Brown Hare, probably brought by the Romans from central Europe. The Brown Hare is the only game species without a closed season when hunting is prohibited. Numbers have declined more than 80% in the last 100 years, a trend that continues.
There are 18 species of bats in Britain, all endangered and protected by law, and at least 12 species worldwide are now extinct.
Although frogs are numerous, their numbers have declined by in the UK by 75% in the last century due to habitat change and destruction. There are only 2 species of toad left in Britain, the Natterjack Toad is one of the top ten most threatened species of the UK.
Wolves were hunted out of existence in Britain in the18th century, the last one thought to have been killed in Scotland in 1743.
The Bear cult is one of the most ancient on Earth. It lived in Scotland until the 11th Century.
Otters are a priority species in the UK Biodiversity Action Plan although it is the only species of this series whose numbers are confirmed to be on the incline in England.
Deer are not threatened in the UK, although this is undoubtedly due to huge numbers being owned and managed as a game species, on private estates and country parks, rather than being a ‘wild’ animal.
The Wildcat is critically endangered. In Britain since the Iron Age, and still existing in Scotland, its numbers could be as few as 400.
The Fox is the only species in this series both truly wild, and with a population considered stable, despite still being hunted and considered vermin throughout the world.
Finally the Barn Owl’s numbers have declined severely in the last few decades, with as few as 4000 breeding pairs remaining in the UK. They have coexisted with man since prehistoric times but a loss of habitat and change in traditional farming practices has put them on the critical list.
When I began this project, it came from my lifelong love for folklore and ancient mythology and a desire to explore this. However, researching each of these animal’s stories, learning of their magic, their power, and in many cases of their centuries of persecution borne out of human fear, I discovered I was personally marking each animal, ritualising my grief too. Even the process of embroidery can often be a meditative one. The in and out of the thread, the inhale and exhale. As I come to the project’s completion I feel both a sense of catharsis, and a strong desire to continue sharing the stories of species we have lost, species we are losing.
Who was it who first decided to name the harebell? What were the circumstances? Were they enjoying the golden late spring, watching the wild Hares boxing and dubbed the first flower they saw? Has a harebell ever been placed on a Hare’s grave? Has a great Bear’s body ever worn a crown of oak leaves?
Do we know when it was, or who our ancestors were when they first became aware of species disappearing? Or the moment when they – when we – first decided to stop ritually marking the death of animals?
Katie Tume is an embroidery artist from Brighton, East Sussex. Born in 1980, she is a fifth-generation needleworker who first learned her craft at her mother’s knee. She attended the Surrey Institute of Art and Design as a Fashion and Illustration student, but is largely self-taught in hand embroidery techniques. She completed her first formal training in 2015 at The Royal School of Needlework in Coloured Metal Threadwork. You can read about her fictional muse Mother Eagle here, in a short story she wrote about her. Katie’s work is influenced by folklore, mythology, pagan societies and the old Gods.
Find Katie on Instagram: @mother_eagle_embroidery_art
At home I am making an origami boat out of paper. It is covered in scrim, dried teabag papers and used coffee filter papers and adorned with natural materials – moss, lichen, bark, sheep’s wool. It ‘s to be a “spirit boat” for a ritual to mourn the many species which have been lost or are at risk of going extinct.
In the shamanistic tradition of Arctic Europe, spirit boats were made to journey to other realms of reality or to carry the souls of the departed on to the next world. I am making several spirit boats each with a different theme. I have sewn the found bones of a rabbit on to the sides of one boat and used a rabbit skull as a figurehead. This boat is to commemorate extinct mammals and will carry the names of those that have recently disappeared – the Javan Tiger, the Quagga, the Pyrenean Ibex…
On another boat I’ve attached feathers, twigs and eggshells; this one is for the extinct birds and it too carries names of recently extinct species – the Passenger Pigeon, the Great Auk, the Kangaroo Island Emu, the Laughing Owl, the Crested Shelduck, Mariana Mallard…
A third boat carries the names of recently extinct insects and other invertebrates – the Levuana Moth, the Cascade Funnel-Web Spider, the Polynesian Tree Snail, the Pearly Mussel. It shall have paper wings.
Yet another will be for plants and forests.
As habitat destruction continues with climate change, urbanisation, changes in agricultural practice and other wanton human practices, habitats and species of all kinds around the world are dwindling and disappearing faster than ever.
On 30th November, Remembrance Day for Lost Species, I shall take my spirit boats to a favourite stretch of the River Adur in Sussex where lines of pollarded willows stand on the dishevelled floodplain. There the water is still like glass, rippled only by passing swans. A dead tree stands sentry-like, its contorted limbs reflected in the mirror waters below. As the sun sets I shall lower my boats into the water, each lit up by a tea light and as dusk settles they shall drift off with the gentle current as a last farewell.
This article on Remembrance Day for Lost Species is reproduced from the Guardian with the permission of the author Jeremy Hance.
In early 2010, artist, activist and mother, Persephone Pearl, headed to the Bristol Museum. Like many concerned about the fate of the planet, she was in despair over the failed climate talks in Copenhagen that winter. She sat on a bench and looked at a stuffed animal behind glass: a thylacine. Before then, she’d never heard of the marsupial carnivore that went extinct in 1936.
“Here was this beautiful mysterious lost creature locked in a glass case,” she said. “It struck me suddenly as unbearably undignified. And I had this sudden vision of smashing the glass, lifting the body out, carrying the thylacine out into the fields, stroking its body, speaking to it, washing it with my tears, and burying it by a river so that it could return to the earth.”
Pearl felt grief, deep grief, over the loss of a creature she’d never once seen in life, a species that had been shot to extinction because European settlers had deemed it vermin. Yet, how do we grieve for extinct species when there are no set rituals, no extinction funerals, no catharsis for the pain caused by a loss that in many ways is simply beyond human comprehension? We have been obliterating species for over ten thousand years – beginning with the megafauna of the Pleistocene like woolly rhinos, short-faced bears and giant sloths – yet we have no way of mourning them.
Still, Pearl didn’t push the grief under or ignore it. Instead, she sought to share it. In 2011 Pearl, who is the co-director of the arts group, ONCA, and the theatre group Feral in Brighton, helped organise the first ever Remembrance Day for Lost Species. Held every November 30th, it’s since become a day for activists, artists and mourners to find creative ways to share their grief for extinct species – and reinvigorate their love for the natural world.
“We hope the Remembrance events will function as funerals for humans do,” Rachel Porter, a co-founder of Remembrance Day for Lost Species and a movement therapist, said. “Such rituals are ancient, embedded within us. We are just placing this common ritual into an unfamiliar context.”
Most of these events are not large – they are not thousands of people marching on government buildings – but more like the number of people who would attend a funeral for a loved one. They are communal and largely intimate events, full of things you might expect and others you might not: such as burning pyres, chanting, poetry reading, bell tolling and processionals.
But there are no rules to the Remembrance Day for Lost Species and anyone can start a public event or hold a private ceremony. This year, they are going on all over the world, including a dinner for the dodo in London, a poetry reading in Berlin, and a remembrance ritual for the thylacine outside of Brisbane, Australia.
Graphic designer and art therapist Julia Peddie, who is hosting the thylacine ritual in Australia this year, said she remembers as a child first learning about how humans wiped out the dodo – and how the knowledge crushed her.
“I can only imagine how children feel now, witnessing such enormous losses, and wonder if they are desensitising in order to cope,” she said. “Remembrance Day for Lost Species provides an opportunity for children and adults to connect with their grief, and in doing so, reclaim a part of themselves.”
photo of Bex Anson’s shrine to the Caribbean Monk Seal taken by Abi Horn
The vitality of grief
But let’s be honest, many of us probably find the idea of attending a funeral or walking in a processional for a vanished species a little foolish. It may even make us feel something more profound: vulnerable. But Pearl said this is only to be expected.
“If grieving for a lost person is difficult, grieving for ecosystems and species is entirely novel and challenging.”
She said that as a global society we have lost the knowledge of how to grieve even for our closest loved ones, quoting teacher and author Stephen Jenkinson who writes that our society is “death phobic and grief illiterate.”
“We struggle to talk about death and dying,” Pearl said. “It is seen as a terrible thing, to be avoided at all costs. We are afraid of upsetting people, and of awkward conversations.”
But at what cost? According to Porter, our inability to show grief – or even allow ourselves to feel it – may lead to mental illness.
“The grief might become misplaced if it’s not recognised and misguided grief could be destructive, it could manifest as depression or anxiety.”
In contrast, displaying grief can result in catharsis. In an emotional process first described by Aristotle over 2,000 years ago, pent up, intense feelings are allowed safe release through ritual. Afterwards, mourners are able to move forward, maybe even with more wisdom than before.
“Actual grief is hardly practiced today,” Megan Hollingsworth, a poet and founder of the collaborative art project ex·tinc·tion wit·ness, said. “If it were, children would neither be murdered in war nor would they go hungry and homeless in the streets of the world’s ‘wealthiest’ nations. Water would be protected. The desires of ‘grown’ men and women would not ever trump the needs of any single child, let alone whole communities.”
Hollingsworth, also one of the founders of the Remembrance Day for Lost Species, will be holding a bell tolling ceremony in Montana on the 30th.
Tear your hair for the extinct
But grief doesn’t occur only when we lose loved ones. Ask anyone who has seen a local forest they once played in as a child demolished for another cookie-cutter development or has watched as fewer bees and butterflies show up in their garden each summer. Or ask any conservationist who has to witness year-after-year as the species they work with slowly vanish, ask any marine biologist about coral reefs or any Arctic biologist about sea ice. Grief can extend far beyond our human parochialism.
“We realised that there was a hunger for a way of grieving ecological loss through ritual,” said Porter who in 2011 directed a Funeral for Lost Species through her group, Feral Theatre. This was an outdoor theatrical performance in a churchyard that included various traditional forms of mourning and tilted between somber and whimsical.
Porter believes many people are simply “stuck in a kind of denial” when it comes to extinction, biodiversity loss and environmental crises.
“If we face it honestly and fully we have to face our own collective shadow, our out-of-control destructive urges and acts. These are terrible, terrifying things to face alone,” she said.
Part of this denial is also due to our growing disconnect from nature.
“Many humans now solely interact with domesticated animals and plants. Some have no experience whatsoever of intact forest, field, and aquatic community. The total loss of other community members, their families, and life affirming ways then is an utterly distant abstraction,” Hollingsworth said. “Yet in grief, as in love, humans are wired for intimacy. “
According to the founders of the Remembrance Day for Lost Species, grieving in a ritualised ceremony removes our isolation from other mourners – we are after all grieving communally – and cuts through the denial.
“For those in denial bearing witness to acts of remembrance and honouring reminds them non-aggressively of something that they are pushing away. That is why making these rituals public is so very important,” Porter said.
In the end such rituals may help people transform their perfectly understandable anger – which is “connected to the disregard and destruction of the natural world,” according to Porter – into something ultimately productive.
Providing a real outlet for grief could help people finally take action and change the world for the better.
“Potentially, in our sadness, we can vow not to continue to let it happen, and acknowledge the role we humans are playing in causing the extinctions,” Peddie said. “Grief can provide a pathway for taking responsibility, and making a commitment to take action.”
Such rituals also allow us to view extinction in a novel way. So much of the information we receive about extinctions and biodiversity decline today comes from science, not from personal experience in the wild. And while science is necessary, it is often represented in wonky papers or press release that are bloodless, cold, even inhuman – a recitation of facts rather than a proper elegy for the lost.
But many probably fear that allowing themselves to feel the grief – really feel it – will result in a personal collapse. Hollingsworth said that an environmental studies professor once told her: “‘I can’t think of this as grief. That would be endless.’”
But this is “where the misconception lies,” according to Hollingsworth. Grieving doesn’t bring endless suffering, but healing and health.
“What happens when I don’t grieve someone’s death? What does it mean not to feel or express sorrow when someone passes unnecessarily due to my negligence? Just the thought of this is chilling to me as the sociopath is brought to mind,” she said.
Grief can be funny too
This doesn’t mean such events have to be sombre and drowned in tears. No emotion is wrong, according to the founders of the Remembrance Day for Lost Species. They are not afraid to throw humour and whimsy into their rituals.
“Often at human funerals people share funny stories about the dead person and it gives a relief, a release from weight of loss, and it can bring a celebratory feel,” said Porter.
Laughter can be incredibly powerful, even during a ritual mourning.
“Humour allows us to softly break through denial and isolation, to damp down the tempers fire, to create space in between the agony, the fear, the chaos,” said Porter.
Recently, Pearl attended the Stories of the Anthropocene Festival in Stockholm where she held a remembrance ceremony for the thylacine. Attendees were asked to share their stories about extinction – but first they had to step through a glitter curtain.
“If you can make people laugh, you are halfway to love. You can take people to deep places. You can encourage them to take risks,” she said.
But sombreness is okay, too, the founders insist. It all depends on what you are hoping to create within the context of the ritual.
Grieving in the Anthropocene
Legend says the world’s last thylacine died cold and alone. The story is that it was mistakenly locked out of its nighttime quarters at the zoo in Hobart, Tasmania during an unusually cold night in 1936. The animal, which was never even identified as a male or female, perished from exposure. That was 80 years ago this year.
While the last thylacine may not have actually died from the cold, it certainly died in a kind of loneliness that is almost impossible for humans – seven billion and rising – to comprehend. It was, after all, an endling. The last of its kind.
And yet do we barely remember it, let alone weep for it.
Julia Peddie said the 80th Anniversary of the extinction of the thylacine “went fairly unnoticed in the mainstream media” even in its native Australia.
Despite little media around the anniversary, Australia still has a lot of “nostalgia” for the thylacine, said Peddie, to the extent that some people believe it still inhabits the wild lands of Tasmania.
Perhaps, this is a kind of denial in action, an inability to accept the extinction of what once was; a denial that may continue to allow Australians – and people around the world – to ignore the losses going on right in front of them.
Australia is an epicentre of extinction. It has the highest mammal loss of any country on Earth. Since European arrival, the country has lost at least 30 species of mammal. And another was lost just this year: the Bramble Cay melomys, the world’s first mammal known to have gone extinct due to climate change.
“The stories of lost species remind us that things do end, they do die, that we are causing irrevocable and deeply distressing changes – but that the ending’s not yet written for the stories of rhinoceros, of hedgehogs, of phytoplankton,” said Pearl.
So, really, why don’t we grieve for the passenger pigeon, the golden toad, or the Yangtze River dolphin? Or how about Rabbs’ fringe-limbed tree frog which just vanished from the Earth in September? Why don’t we rend our garments for the woolly mammoth, or tear our hair for the dodo or smear our windows with ash for the great moas that once roamed New Zealand? It can’t hurt. It could only heal.
“We need to imagine and invent new rituals for the Anthropocene,” said Pearl. “What would a memorial for the Caspian tiger or the elephant bird look like? A memorial for the Great Barrier Reef? For 350 parts per million of atmospheric CO2?”
The age of the Anthropocene is an age of grief, put simply. Not showing, sharing or indeed feeling that grief will make it all the more unbearable. But a collective keening may be key to moving forward and creating a new society that fully respects and cherishes the millions of life forms that call this planet home.
War memorial to the passenger pigeon by Camilla Schofield
Graveyard of Lost Species is an ambitious collaborative project and temporary monument by artists YoHa and Critical Art Ensemble commissioned by Arts Catalyst. The artwork – created from a local wrecked boat, and placed back into the Thames Estuary carved with people’s stories of changes in the area – is a physical but decaying memorial to what is passing as our environment and society transform.
The project records and acknowledges wildlife, marine creatures, microbes, people, livelihoods, fishing methods, landmarks, mythologies, and local dialects that once flourished in the Thames Estuary and are now disappearing under multiple threats. The artists worked with local inhabitants of the Leigh-on-Sea and Southend foreshore from 2013 to 2016, to gather knowledge and expertise about these ‘lost species’ and discuss how people and ecologies adapt and respond. The culmination of the research is now imprinted on the boat originally called The Souvenir.
Steve Kurtz of Critical Art Ensemble says: “How do you make a monument that, rather than creating a smooth ideological space in which all people are expected to feel and believe in the same way, instead accounts for difference and allows for the contradictions and conflict of history, that lets all the different voices speak out? It might be a community but there is not unity of story – there are vastly indifferent interpretations of what’s going on. We are creating an anti-monument that will come apart, like the memories, over time.”
During Summer 2015, The Souvenir, a 40ft 12 ton Thames Bawley boatwreck, was resuscitated from the Estuary mud flats. She was cleaned and re-configured, whilst sited in a prominent public setting on Belton Way, the main thoroughfare between Leigh-on-Sea station and the old town.
Arts Catalyst’s Programme Manager Claudia Lastra says “Without the thriving local industry there once was, The Souvenir had fallen into disrepair and become impossible to restore. Since it was built in 1933, local people have memories of this boat. It is a landmark, part of the Estuary’s landscape, and part of the archeology of this fascinating ecosystem. This project allows its heritage to remain public.”
The Thames Estuary is changing rapidly with new industrial infrastructure in construction, including the largest container port in the UK. The estuary’s sea marshes, tidal flats and muddy waters are critical wilderness zones for biodiversity conservation and species migration. Simultaneously, they are also zones for leisure and tourism, fishing grounds and the sites of historic wrecks. Graveyard of Lost Species is part of a wider project commissioned by Arts Catalyst, titled Wrecked on the Inter-tidal Zone,that seeks to explore art’s responsibility to understand and communicate such environments and cultures.
Photo credit: YoHa and Critical Art Ensemble, Graveyard of Lost Species, Leigh-on-Sea, UK (2016)
Take your pick. Claim space. This is pluralistic, exploratory, inventive work that urgently needs doing by as many people as possible in as many ways as possible.
The ritual structure here has been put together by Chicago-based Christian elder and minister Terri MacKenzie who welcomes anyone to use or adapt any part of it for Lost Species Day. We will share more structures and suggestions for approaches here in coming days.
Extinction Grieving Prayer
Use two candles; prepare suggested (or other) music and video. Directions are starred. Adapt in any way that facilitates use.
Call to Prayer
“Today, the dusky seaside sparrow became extinct. It may never be as famous as the pterodactyl or the dodo, but the last one died today… ” – An excerpt from “Science” by Alison Hawthorne Deming
What you call resources, we call our relatives. – Source unknown.
* Light the first candle. It honours all the species that have gone extinct in our lifetimes.
Great Giver of Life, we pause to remember our place at the beginning of the Sixth Great Extinction on Planet Earth. For 13.8 billion years creation has been groaning: bringing to birth, becoming more complex, more organised, more conscious. The other great extinctions during the past 450 million years happened by forces beyond anyone’s control. Now, for the first time, our species is ruining whole ecosystems, aborting entire groups of interdependent species.
We acknowledge that we play a part in this dying by our carelessness, ignorance, and indifference. Forgive us our part in the death of healthy ecosystems and the resulting extinction of creatures in whom we believe divinity lives and acts.
Litany of Affirmation
We affirm the Sacred Mystery that caused and continues Creation.
We affirm the 13.8 billion years of our Universe.
We affirm the billions of galaxies, each with its billions of solar systems and stars.
We affirm the multiple transformations during the 4.5 billion years of Mother Earth’s life so far, and the relentless evolution towards ever-greater consciousness in the future.
We affirm the millions of species that have inhabited our planet in beautifully-webbed communities: microorganisms, plants, fish, birds, mammals . . .
We affirm that we came from Earth and exist, like all species, in a communion of subjects.
Litany of Grief
We grieve humans’ lack of awareness of, and concern about, the destruction of interdependent communities that have taken billions of years to develop.
We grieve the climate disaster that is extinguishing habitats and the multiple species within them.
We grieve the more than one-in-four flowering plants, the one-in-five mammals, the nearly one – in-three amphibians, and the one-in-eight birds that are vulnerable to being wiped out completely. (International Union for the Conservation of Nature)
We grieve the Golden Toad, native to Costa Rica. It has not been seen since 1989, when a single male was found, the last of its species.
We grieve the Pyrenean Ibex. The last of this species naturally born was a female, Celia, who died in 2000.
We grieve the St. Helena Olive, a small spreading tree, the last of which perished in 2003 primarily due to deforestation and invasive plants.
We grieve all our extinct brother and sister species, the amphibians, fish, birds, mammals, plants and trees, and their diminished habitats.
We grieve the humans whose sustenance and livelihoods are threatened by this disruption in the food web.
We grieve the deaths of ecological martyrs: Sister Dorothy Stang, Dian Fossey, Chico Mendes, and the over 900 other activists slain since 2004. (Global Witness)
* Listen to and/or Sing: “Where Have All the Flowers Gone?” Perhaps for v. 2 and 3: species, workers. (If needed, Joan Baez’ version)
* Extinguish first candle. Light second candle. It honours the threatened species that remain and our desire to protect them.
* Quiet reflection: For believers, our faith is tested by our concern and care for creation. U. S. Catholic Bishops: “Renewing the Earth” 1991
We are grateful that 90% of species under the protection of the Endangered Species Act (U.S.) are recovering at the rate specified by their federal recovery plan.
We are grateful that British oil company Soco International agreed (June 2014) to suspend exploration in a national park in the Democratic Republic of Congo (DRC), home to half the world’s critically endangered mountain gorillas (pictured here) and thousands of other species. We thank the over 750,000 people who signed a petition to stop the oil drilling.
We are grateful that the Zoological Society of London released its list of birds most at risk of extinction based on evolutionary distinctness and global endangerment (EDGE) in April 2014. This information will help conservationists decide where efforts should focus first.
We are grateful that the population of the California Least Tern, listed as endangered in 1970, grew from 225 recorded then to 6,568 recorded in 2010.
We are grateful for all of the habitats that have been saved so the interdependent species within them can escape extinction.
We are grateful for the many people throughout the world who dedicate their time and efforts to keeping habitats and species alive so they can give praise to their creator by their distinct lineages, attributes, and contributions to the web of life.
Let us not leave in our wake a swath of destruction and death which will affect our own lives and those of future generations. – Pope Francis
To save species, we must save ecosystems. To save ecosystems, we must reduce climate change, pollution, poaching, invasive species, and over-consumption. Mentally check the things on p. 4 that you already do for this. There might be something else there that you would want to do.
* Read quietly: Consciously deepen appreciation of the glory of creation, its long story, the place of Divine Mystery in it, and humans’ dependence upon it.
Pray for the healing of creation.
Reduce all energy use.
Transition to renewable energy sources (for electricity).
Encourage institutions to invest in renewable energy and to divest from fossil fuels.
Drive less and/or reduce gas use by not exceeding 60 mph on the highways (and other ways).
Avoid produce, meat, and poultry from factory farms.
Buy recycled products.
Reduced use of plastic.
Carry water in a thermos (not bottled water).
Avoid genetically modified foods (GMOs).
Lobby for laws to protect habitats and species.
Include Earth-care concerns when choosing legislators.
Join (or cooperate with) a group working to conserve, restore and protect habitats and species.
* Discuss: Einstein said Imagination is more important than knowledge. Knowledge points to all that is. Imagination points to all that could be. What kind of Earth “could be”? How can we contribute to co-creating it?
Great Giver of Life, we come from, and we dwell in, the magnificent world in which you live and act. Our species is causing extinctions; our species can prevent them. Let us not be thwarted by the immensity of the challenge, for the Power working within us can do more than we could ask or imagine. May the flame of this candle continue burning in our hearts, reminding us to help our threatened relatives.
* Extinguish second candle.
Enlighten us to find you in all Creation; empower us to treat it accordingly. Through Jesus Christ, whose respect for Earth inspires us to live as he did. Amen.
* Sing: “The Heavens Are Telling the Glory of God” or “Touch the Earth” (Kathy Sherman, C.S.J.) or another appropriate song
* Share a sign of hope with one another (or a sign of peace)