the only specimen of a Liverpool pigeon

The strange tale of the Liverpool pigeon – by Matt Stanfield

Where does a species belong? This question has a variety of interlinked answers. For instance, there is the geographic answer: the species’ natural habitat. Then there is the ecological answer: the role which a species plays in its ecosystem. There is also the issue of taxonomy: where the species fits into the evolutionary tree of life.

This is the tale of a species for which all these questions were long unanswered: the Liverpool pigeon. Despite its common name, this creature was never native to the north-western port city, nor indeed to any part of the British Isles.

The first known record of this pigeon dates from 1783, when English ornithologist John Latham described it, having seen two taxidermied birds in private collections. Latham gave these birds their original common name, the “spotted green pigeon”. In 1789, this apparently new species got its first binomial: Columba maculata. Decades later, Latham illustrated his descriptions, as shown below.

Liverpool pigeon

Spotted green pigeon, John Latham, 1823. Image public domain.

One of the specimens Latham saw belonged to a London-based military officer and sometime naturalist named Thomas Davies. After Davies’ death in 1812, his pigeon was purchased by the 13th Earl of Derby, journeying with him to Merseyside. The fate of the other taxidermied pigeon which Latham saw is unknown. This lost specimen may have been more mature than the Earl’s pigeon, since Latham also drew a more brightly-coloured version of the bird. In 1851, the Earl’s collection was incorporated into the Derby Museum, later renamed the World Museum, Liverpool.

By the late nineteenth century, with no new specimens forthcoming, let alone any observations in the wild, the species faded into obscurity. In 1901, famed zoologist Walter Rothschild had this to say on the spotted green pigeon, lumping it together with the Nicobar pigeon in Part II of his Notes on Papuan Birds:

‘It is extraordinary that the home of this bird is not yet discovered, and we suggest the possibility – although there were two specimens – that it is an abnormity.’

For a century after Rothschild’s dismissal of the bird as an abnormal Nicobar pigeon, virtually no attention was paid it. The IUCN deemed it ‘Not Recognised’ and so it might have stayed if not for the attentions of natural history author and illustrator Errol Fuller. In 2001 Fuller suggested the reason for the bird’s fall into obscurity rested largely with Rothschild’s unwillingness to consider it a distinct species. Fuller also coined a new common name for the animal: “the Liverpool pigeon”, in recognition of the only known bird’s final resting place.

Soon after, the IUCN also recognised the contentious skin as representative of a species. The Liverpool pigeon thus made an ignominious move from “Not Recognised” to “Extinct” on the Red List. The basis for the decision to list the species as extinct lies in the lack of hard evidence for the pigeon’s continued existence beyond the early 1780s.

Whilst now acknowledged once again as a distinct species, many questions about where the Liverpool pigeon truly belonged remained unanswered.

By extracting and analysing DNA from two of the bird’s feathers, the species’ story became a little less opaque. The results indicated that the Liverpool pigeon is indeed a true species, sharing a genus with the Nicobar pigeon of the Indian Ocean and South Pacific. Consequently, it was given a new binomial: Caloenas maculata. Fittingly, the test results would also make it a fairly close relative of the likewise lost and enigmatic dodo.

Nicobar pigeon

A Nicobar pigeon, the Liverpool pigeon’s closest living relative. Image Wikipedia Creative Commons, by Tomfriedel

So, with the Liverpool pigeon’s (former) place in the tree of life now apparently resolved at last, can any light be shed on where this bird once made its home? Besides the dodo, the species has two other close extinct relatives: the peculiar solitaire of Rodrigues and the Kanaka pigeon of the South Pacific. The latter species is known only from subfossils, most likely being hunted to extinction by the ancestors of the Polynesians around 500BCE. Given all the Liverpool pigeon’s closest known relatives are island dwellers, it is reasonable to think it too favoured this way of life. Tahiti has been suggested as the bird’s possible home, with stories of a similar-looking bird being recorded there in 1928, but this is far from a definitive answer.

For millions of years, the Indian Ocean and South Pacific proved an excellent home for pigeons, thought to have island-hopped from Oceania or South-East Asia, often developing terrestrial habits or even flightlessness in the process. The Liverpool pigeon appears to have taken a different evolutionary path.

Based on analysis of the World Museum’s pigeon, some hypotheses have been advanced about its ecology. It has been suggested the bird was a canopy-dweller, foraging in trees for soft fruits to eat, and thus functioning as a seed disperser within its ecosystem. It has also been proposed that this species avoided flying across open water, staying put on its island home, which may well have been small and remote.

The precise cause of the pigeon’s extinction is also mysterious. The IUCN considers it a reasonable assumption that human hunting in addition to possible predation by introduced species is likely to have ended its existence. This fate has been shared by many island birds since humans began expanding across Earth’s oceans. It is also thought likely that by the time Europeans first encountered the creature, it was already on the brink of extinction.

The species’ story now comes to its sad end. In 1851, the Earl’s taxidermied pigeon was crudely refashioned into a study skin and now forms part of the World Museum’s cabinet collection. Once a living part of an island ecosystem and a member of a strikingly diverse grouping of birds, for the last 166 years the Liverpool pigeon has belonged only in a drawer.

 

the only specimen of a Liverpool pigeon The only known Liverpool pigeon specimen. Photo by Clemency Fisher, World Museum, National Museums Liverpool; released under Creative Commons for BioMed Central.

Responding to Loss in Nature – by Daniel Hudon

How do we as citizens and writers respond to loss in the natural world? Since I began to write my book, Brief Eulogies for Lost Animals (now available), several years ago, loss in nature has been frequently on my mind. I gave my first ever poetry workshop on this theme at the Massachusetts Poetry Festival last weekend, and judging by how early the session filled up (soon after the schedule was announced, back in April), people are hungry to engage with the topic.

What have we lost? I asked the participants at the beginning of the session. They answered:

  • fireflies
  • honeybees
  • the flight of the monarch
  • coral reefs
  • clean water
  • the night sky
  • the sounds of nature

and more.

A formidable list, which I supplemented with elephants, tigers, rhinos, pangolins, sharks, orang utans, bluefin tuna, songbirds, amphibians, mangroves, wetlands, neighbourhood trees, sea grass beds, glaciers, mountain tops, and diversity in nature (see the work of Bernard Krause).

Our task as writers is to engage with challenging issues and I would love to see poets take on loss in nature more frequently. Whether to grieve and lament, honour and eulogise, forewarn and remind (not to mention rant and rave!), our responses in poetry can help others process their own feelings regarding environmental change. Look at Mary Oliver’s poem, Lead . After the two inciting incidents (the loons dying over the winter and the friend’s description of one in its death throes) she folds in all the things she loves about loons – the things we all love, including its wild and uncanny call. Her response is our inspiration, a heartbreak that reminds us not to withdraw but to engage.  “Here is a story/ to break your heart”  she begins. And she ends the poem with:

I tell you this
to break your heart,
by which I mean only
that it break open and never close again
to the rest of the world.

Without this frame, the poem would be incomplete.

Historically, loons nested in Massachusetts but were extirpated in the late 19th century. In 1975, a pair of loons was discovered nesting at Quabbin Reservoir. Today, there are approximately 32 nesting pairs of loons on 14 different lakes, ponds and reservoirs in the Commonwealth. Loons are listed on the Massachusetts Endangered Species Act list as a Species of Special Concern. In general they require 1000 acres of water per nesting pair, islands for nesting and limited human disturbance, which makes the Quabbin Reservoir ideal.

However, loons are being poisoned by ingesting lead fishing gear – hence the title of Mary Oliver’s poem – this is the leading cause of mortality of loons in New England. They do this either by eating the minnows used as bait, then swallowing the hook, line, and sinker or by scooping lead sinkers off the bottom when they ingest small pebbles. Lead sinkers and lead weights less than one ounce are now banned in all inland lakes in Massachusetts in an attempt to curb the problem.

We had a lively discussion about the poem and it seems I could have based my entire session on it. But we also looked at a handful of other poems, chosen from Earth Shattering , a terrific anthology of ecopoems edited by Neil Astley, The Dire Elegies: 59 Poets on Endangered Species of North America, the Amsterdam QuarterlyThe Lost Species Day website and Canary: A Literary Journal of the Environmental Crisis.

While journalists and scientists have to tell stories and present evidence when they write about loss in nature, poets have an advantage in being able to draw from seemingly unrelated events – or from their own experience — in order to evoke particular feelings.

One of the shortest poems we looked at was Condor from The Dire Elegies, by Massachusetts poet Susan Edwards Richmond:

When there is no sky left                                                       
big enough                                                                                
to hold that bird,                                                                    
 let it die.                                                                                                                                                                                          

Then dig my grave close by. 

So terse, and yet so evocative at the same time. I love the prophetic voice she adopts in the first section of the poem. My hunch is that she took a simple detail like the ability of condors to soar, a detail that she loved, and turned it inside out to make it sound fresh and authoritative. Her real response follows in the last line  Then dig my grave close by. As one of the workshop participants said, the success of the condor is our success, and its failure, should that occur, will be our failure too.

In a writing exercise, we tried to get at the prophetic voice she uses in the first section, but we didn’t have time to share responses. Still, I feel we accomplished a lot in that one hour frame. My blurb on the festival website promised, “By challenging ourselves to engage important environmental problems, you’ll come away both with new material and with renewed connection to the natural world.” Ambitious, to be sure. But if only it were that easy to connect with nature! Nevertheless, given the engagement and energy of the participants and the response to the theme, I’m looking forward to doing more such workshops soon.

Daniel Hudon is an author of short fiction, nonfiction and poetry. He is also an educator, working as a lecturer in astronomy, physics, maths, and writing at colleges in the Boston area. Readers can follow his recent writing on the topics of species reduction, ecology, and environmental literature, at his website. His book about the biodiversity crisis, Brief Eulogies for Lost Animals: An Extinction Reader, is now available for pre-order here: http://penandanvil.com/brief-eulogies/ 

Connect with him on Twitter @daniel_hudon.

Remember Sloane’s urania – by Matt Stanfield

‘If we and the rest of the back-boned animals were to disappear overnight, the rest of the world would get on pretty well. But if the invertebrates were to disappear, the world’s ecosystems would collapse.’ – Sir David Attenborough

From a human perspective, there is much about invertebrates which can be hard to relate to, or even to conceive of at all. As mammals, our instincts likely count against them. It is no great stretch for many of us to empathise with an orang utan or a wildcat – but an octopus, or a lobster? Even the word “invertebrate” implies a lesser form of life, defined by what it lacks – a backbone.

Historically, perhaps the most high-profile invertebrate grouping has been the gigantic order known as Lepidoptera (butterflies and moths). These creatures are arguably quite well-known from a human perspective, by virtue of their appeal to our well-developed sense of sight. Their frequently bold and distinctive colouration has drawn our interest for millennia. One striking result of this interest has been the identification of approximately one hundred and eighty thousand individual species of butterfly and moth. For context, the total number of all vertebrate species known is below seventy thousand.

Sadly, amidst the ranks of described species of all kinds there exists a growing body of organisms which will never be seen alive again. One such is Sloane’s urania, a large moth formerly native to Jamaica. Though moths are often thought of as less brightly coloured than butterflies, this species was a glorious exception.

The large size and dazzling colour of these animals seems to have bought them to the attention of science quite quickly. The species was first described in 1776, being named in honour of the recently deceased Sir Hans Sloane, whose collection formed the basis of the British Museum. Whilst most moths are active at night, Sloane’s urania was a day flier whose beautiful wings served notice to would-be diurnal predators that it was, in fact, toxic.

Unfortunately, this moth’s natural defences would prove useless in the face of human activity. Surviving relatives of Sloane’s urania migrate periodically, after population explosions amongst their caterpillars defoliate certain areas. Consequently, their populations are not only subject to significant natural fluctuations, but they require multiple large bodies of suitable plants on which to feed. Interestingly, most adult moths do not eat at all, doing all their feeding at the larval stage and living only to mate once they emerge from their cocoons.

It is suspected that, during the late nineteenth century, when Jamaica’s lowland rainforests were being cleared for agriculture, one of this species’ key larval foodplants was lost. Urania larvae in general are picky eaters, feeding solely on a single genus of rainforest vine. Without a food supply for the next generation, extinction beckoned. Sloane’s urania was last reported in 1895 and is believed to have vanished entirely by the early years of the twentieth century.

Although six members of the Urania genus, similar in appearance and habits to Sloane’s urania, are still known to exist, this does not lessen the significance of the species’ loss. Indeed, the mere fact that Sloane’s urania is known to have gone extinct at all renders it hugely significant. Whereas it can be reasonably assumed that most of Earth’s mammal species are known to science, the same is much less true for other classes of animals, perhaps none more so than insects. Estimates of the total number of insect species stand at between six and ten million, of which around one million have been described.

The upshot of our continuing profound ignorance of so much invertebrate life is that no-one has much idea of how many species humans have driven to extinction. A 2005 study estimated that around 44,000 insect species had been driven extinct by human activity since the fifteenth century. More worrying still, in 2014 entomologists concluded that the total number of insects on Earth has dropped by about forty-five per cent since the 1970s. However, the number of documented insect extinctions in that time period stands at around seventy. Sloane’s urania is a rare insect indeed in that its passing managed to draw the attention of its nemesis.

Recent dramatic declines in bee numbers appear to have begun to alert humanity to the stupefying risk inherent in gambling with the future of invertebrate life on our planet. We would do well to remember that even the asteroid strike which ended the Dinosaur Age did not manage to cause a mass extinction amongst insects.

Matt Stanfield

The last Scottish wildcat? – by Helen Douglas

The last Scottish Wildcat is about to be exterminated – because developers are chasing windfarm subsidies.

This week The Herald carried a story about the wildcat queen that lives on the hillside opposite my cottage, where I am a shepherd.  She has already been ousted from the den where she reared a kitten two seasons ago, when quarry was excavated to create hard-standing for a single wind turbine.  Scottish Natural Heritage did not come out of that smelling of roses, as the developers flouted recommendations for wildcat protection on a number of occasions, and the response was along the lines of ‘O dear, perhaps we should have given our advice earlier, but now we’ve left it too long and it’s too late – the wildcat won’t be around now so we’ll not do anything about it.’  There was no ‘policing’ and penalty or even warning was issued to the landowner.

This time, there are seven turbines to be erected on the adjacent slope – where we have captured the same queen on night camera.  And Scottish Natural Heritage has omitted its previous advice to ‘avoid activity during the breeding season, March – August inclusive.’ However, Scottish Wildlife Trust HAS asked Perth and Kinross Council to impose this condition.  But so far, there has been no response.

We are petitioning Perth and Kinross Council to include this protective condition.  One breeding season for one female could be the writing on the tombstone for the species, felis sylvestris sylvestris.

Scottish Natural Heritage is playing the popularity game with the developers, and saying that wind farms won’t destroy too much habitat (though earlier I have them on record as saying they don’t know enough about HOW much habitat a wildcat does require ). They are concentrating on cross-breeding with feral cats as being the biggest threat to the species.  When, however, there is evidence of an apparently ‘pure’ wild cat on our hill, shouldn’t they be doing all they can to protect her, on all fronts?

It may come to camping out in front of the diggers… Is anyone going to join me?  Or at least bring me a flask of tea?  I’ve never done anything like this – so please advise me or support me. Please, if you have not already done so, would you sign the petition to Perth and Kinross Council?  It can be found by using the link below.

http://you.38degrees.org.uk/petitions/protect-scottish-wildcat-from-industrial-activity

Helen Douglas (- I cannot check email regularly while I am lambing sheep in a remote area during May – but would appreciate help/advice and will reply when I do have internet access!) puffball@tiscali.co.uk

Read more on the story.